Alex W. Rodriguez is a writer, improviser, and trombonist. He recently completed a PhD in Ethnomusicology at UCLA, where his research focused on jazz clubs around the world and the creative improvised music communities that surround them. It was based on fieldwork research conducted in Los Angeles, California from 2012-2016, Santiago, Chile from 2015-2016, and Novosibirsk, Siberia in fall 2016.
Growing up in Portland, OR, he took up the trumpet at age 10 and switched to the euphonium two years later. His developing interest in jazz and his work with Portland-area trombonist and educator Ben Medler led him to the trombone shortly thereafter. In 2001, he was a part of Medler’s first Portland Youth Jazz Orchestra, which has grown into a pillar of the Portland jazz education community.
From July through December of 2005, Alex lived in Santiago, Chile, where he performed with jazz musicians in Chile, Argentina and Bolivia. Performances included his participation in the 6th annual Trombonanza trombone festival, and gigs with Los Andes Big Band at LaPaz Festijazz and El Club de Jazz de Santiago.
Alex graduated with his BA in Music from Amherst College, the first Trombone Performance major in the College’s history. At Amherst, he also took courses in ethnomusicology with Jeffers Engelhardt, Mirjana Lausevic, and Tim Eriksen. He later completed an MA in Jazz History and Research at Rutgers University, studying with Conrad Herwig, Lewis Porter, Henry Martin and John Howland. During his time at Rutgers, Alex started writing about jazz for a living, contributing jazz-related coverage for The Newark Star-Ledger, NPR Music, and WBGO.
Alex moved to Los Angeles, California in 2011 to pursue a Ph.D. in Ethnomusicology at UCLA. He continued to contribute jazz coverage to NPR Music and served as the Editor in Chief for the open access academic journal Ethnomusicology Review in 2014. He also co-founded the UCLA Omni-Musicality Group with Steven Loza, and was Assistant Director for the UCLA Jazz Orchestra. After completing his fieldwork research in November 2016, he returned to his hometown of Portland, OR.
During his time in Portland, Alex completed his Ph.D. dissertation while serving as the Director of Jazz Ensembles at Reed College. He also helped to revitalize the local chapter of the Buddhist Peace Fellowship, worked as a Field Organizer for the campaign to elect Jo Ann Hardesty to the Portland City Council, and joined the Board of Directors for the International Society for Improvised Music.
He moved back to Massachusetts in 2019, where he taught African American Music and Global Pop at Babson College in Wellesley and completed the Center for Deep Listening’s Teacher Certification Program. Later that year, he stepped down from the ISIM Board into his new position as Managing Director. He now lives in Easthampton, MA, serving on the Board of Directors for the Buddhist Peace Fellowship, working as a consultant for the Jazz Journalists Association, and contributing jazz reviews and features to DownBeat magazine.