Reflections on the Wilds Beyond Climate Justice by the strange foursome that stewarded it By Owólabi Aboyade, Aerin Dunford, Karen Leu, and Alex Rodríguez This article first appeared in Geez Magazine Issue 66, Global Resistance and Solidarity. To read more and subscribe to this most excellent publication, please visit the
Presented at the Rhythm Changes Jazz Studies Conference in Amsterdam, Netherlands on August 26, 2022 Today, I'll be engaging in an exploration of jazz as politics through the musical practices of Ornette Coleman, the visionary midcentury alto saxophonist, composer, and improviser who unabashedly set the tone for much of the
Throughout a decade in music journalism and academia, I've conducted dozens of interviews. (A few of my favorites: Sonny Rollins, Wayne Shorter, Fred Wesley, Erwin Díaz.) Yesterday, I was reminded of how much I missed those conversations when I found myself on the other side of the interviewer's chair. Alongside
So this is finally happening ... last week, I spoke with three beloved Chilean jazz co-conspirators to confirm their participation in making my debut album, Somewhere Else!!!! / ¡¡¡¡En Otro Lugar!!!! Yes, that's a lot of exclamation points—that flourish is inspired by one of my musical heroes, Ornette Coleman, whose 1958
This post points to the one piece of music of mine that is currently available online: Schoenberg Jr. High, recorded live with a fantastic trio of Chileans for a concert that I wrote about here [https://ethnomusicologyreview.ucla.edu/content/improvising-global-connection]. Schoenberg Jr. High by Alex W. Rodriguez [https://arodjazz.